Monday 28 February 2011

WINIFRED HOLTBY: South Riding.

























Students should be aware that the BBC is currently broadcasting an adaptation of Winifred Holtby's famous novel: South Riding. The 'South Riding' of the novel is actually the East Riding of Yorkshire and this novel is rooted in our part of the world. Holtby was born in Rudston [nr.Driffield] and many of the place names of the novel are thinly disguised East Riding locations. For example Kingsport is Hull, Hardrascliffe is Bridlington and Kiplington is Withernsea.

Furthermore, the actress playing Sarah Burton is an ex-BHS student! Local interest or what? When the gothic horror of coursework and exams eventually ease into the relative tranquility of the summer break, students may wish to read this famous novel.

MACBETH RESOURCES.




















'Unsex me here'...A clip from the 1997 BBC TV's Macbeth on the Estate. This version has Duncan [Ray Winstone] as the leader of a Birmingham drug gang. Macbeth desires the leadership of the gang and his ambition creates violent chaos.
http://www.youtube.com/watch?v=SaoxA--S7_A
'Is this a dagger I see before me..' The death of Duncan. Macbeth on the Estate.
http://www.youtube.com/watch?v=wEQMGInFVpk&feature=related
Ian McKellan's 'dagger soliloquy' and reaction to Duncan's murder: 'Macbeth does murder sleep'. Note Judi Dench as Lady Mac.
http://www.youtube.com/watch?v=h8_0MvRvkHM

YEAR 13 LESSON TWENTY [28th Feb 11]: Homework.



















Students were offered a series of problematic statements/questions relating to Faustus and Frankenstein and were asked to work in small groups to create the equivalent of a detailed three paragraph response to the selected statement/question. Two groups offered the results of their group work to the class and the rest of the groups will be offering their wisdom next week.

Homework: READ.READ.READ. Consider links between Faustus and Frankenstein. Prepare the response for the oral task.

NICK DEAR DISCUSSES HIS ADAPTATION OF FRANKENSTEIN.














Nick Dear adapted Mary Shelley's novel for the National Theatre and worked closely with Danny Boyle to ensure that their interpretation captured the truth of the novel. Click on links below to hear Dear discuss the novel and his theatrical adaptation:
Adapting Chapter 5:
http://www.nationaltheatre.org.uk/64323/frankenstein/adapting-chapter-5.html
Dear discusses the novel:
http://www.nationaltheatre.org.uk/64860/frankenstein/nick-dear-on-frankenstein.html
Man-made creatures.What is a monster?
http://www.nationaltheatre.org.uk/64322/frankenstein/manmade-creatures.html

Friday 18 February 2011

DANNY BOYLE'S FRANKENSTEIN: BBC Article. Relevant for A2 students.























The National Theatre is about to present a theatrical version of Shelley's novel with this version being directed by Danny Boyle. Boyle is more famous for directing films such as Shallow Grave, Trainspotting, Slumdog Millionaire and the recent 127 Hours. Students should navigate through the links attached to this article.
http://www.bbc.co.uk/news/entertainment-arts-12481393

Click on link to access a discussion originally broadcast on BBC Radio 4 News that explores the question: Has the Frankenstein myth harmed Science?
This is a superb resource and is extremely relevant for any discussion considering the thematic nature of the novel.

Thursday 17 February 2011

YEAR 12 LESSON TWENTY [15th Feb 11]: Homework.


Students read, watched, and discussed the final section of Shakespeare's Othello. Students were encouraged to respond to the question 'Othello: Villain or Hero?' and consider the modern relevance of a play first performed over 400 years ago.

Homework: Students should be re-reading The Great Gatsby/TROTAM and perusing the Othello links that I have posted. When we return to school we shall begin to construct ideas for the Shakespeare coursework response. Students have a list of potential questions and should consider which question they will select for coursework.

YEAR 13 LESSON NINETEEN [14th Feb 11]: Homework.










Students were encouraged to analyse the final soliloquy and were introduced to the idea that TIME is the central theme at the heart of this dramatic speech and the representation of Nature is also a crucial element within this final scene. Students were encouraged to compare and contrast the representation of Nature in Faustus's final soliloquy with the representation of Nature at the end of chapter 9/ beginning of chapter 10 in Shelley's Frankenstein.

Students were also encouraged to compare and contrast the Old Man in Marlowe's Faustus with the DeLacey family in Shelley's novel. What is the author's aim? What is the symbolic nature of the Old Man and the DeLacey family? What ideas are being expressed through the symbol of the Old Man/ DeLacey family?

The second section of the lesson revolved around a consideration of the following questions:
1. To what extent is Mephistophilis presented by Marlowe as a sympathetic character and how might this relate to author's aim?
2. What is the purpose of the 'Low Comedy' scenes?
3. Does the final soliloquy allow the audience to feel a sense of sympathy for Dr.Faustus?
4. Why does Faustus fail to repent? Author's aim? [ Morality Play?]

Homework: Students need to complete their coursework. I will expect the final draft to be handed to me at the beginning of the next session.
Furthermore, students need to provide a written response to the Marlowe questions discussed in the final section of this lesson.

HAMLET RESOURCES.





















Click on link to view Branagh's version of The Closet Scene.
Click on link to access Branagh's version of Ophelia's burial:
Click on link to view David Tennant's Hamlet..Act 4 scenes 2 and 3:
Click on link to access David Tennant's version of Hamlet's Soliloquy:
Click on link to access David Tennant's Coward Soliloquy:
Click on link to access Branagh's Ghost Scene..Act 1 Scene 5:
Click on link below to access Act 4 Scene 1 of the Tennant Hamlet:

MR.STEVENSON'S YEAR 12 LESSON [1st Feb 11]: Homework.

We cracked on with Auden's 'If I could Tell You'. Some insightful points. Expect a timed essay soon...AS then demonstrated how to improve the Streetcar drafts. Lots of modelling.
First deadline Tuesday 8th Feb.

AS

MR.STEVENSON's YEAR 13 LESSON [4th Feb 11]: Homework.

AS took the floor and highlighted the significance of Young Linton. Similarities with Oliver Twist 'the vacuum at the heart of the novel' were demonstrated. AS then opened the can of horror worms- Dracula nothing more than horror? Victorian notions of horror were highlighted and then the mood was lifted by a discussion about breast feeding monkeys.....

We will continue with the horror next week. The faith question will be pushed back one week.

AS

MR.STEVENSON'S YEAR 13 LESSON [28th Jan 11]: Homework.

A quite remarkable session. The slaves stunned AS with their insight and perception. Excellent undergraduate discussion about the significance of children across the three texts. Next week we will look at how some readings of WUTHERING ignore the savage side of the text + Dracula.

AS

MR.STEVENSON'S YEAR 12 LESSON [19th Jan 11]: Homework.

AS provided extensive feedback and ideas on the coursework. STREETCAR final version due 8th FEB.
Students must prepare notes on how the story is written in CH 1 of THE KITERUNNER for next week. Also, bring your Auden.

AS

MR.STEVENSON'S YEAR 13 LESSON [21st JAN 11]: Homework.

Excellent session on Van Helsing.The discussion lasted 1 hour and 15 mins with a range of lucid comments that were grounded in the text. AS extended the debate and guided the crew through some difficult concepts. An enjoyable session. We then discussed an approach to Macbeth. Light touch will not be an option.

AS.

MR.STEVENSON'S YEAR 13 LESSON [14th JAN 11]: Homework.

Final Deadline Metaphor Coursework- 18th FEB.

We will debate these five areas starting Friday 21st JAN. In an ideal world I would like you to prepare an academic response to each task that you can debate within the group.Your response should be grounded in your appreciation of the texts. If this activity helps you learn some quotes then it will be a bonus.

Consider the significance of Van Helsing.
Consider the significance of children in the texts.
Dracula is nothing more than a horror story...
How do these texts deal with issues of faith?
To what extent are these texts concerned with life on earth?

Prepare these and polish homework.

AS.

Wednesday 9 February 2011

RESOURCES FOR OTHELLO: ACT 5.













Click on link to access a recent version of Act 5 Scene 2 performed at the Globe:

Click on link to hear this audio file of Paul Robeson's Othello from 1943. Robeson was the first professional black actor to play Othello. Robeson is an incredibly interesting human being and his life was magnificent. A great man. This is Act 5 Scene 2:

Click on link one and two to view Bacon Boy's version of the play's conclusion.

Click on links to access Anthony Hopkins' Othello and his interpretation of the concluding scenes of the final Act.

YEAR TWELVE LESSON NINETEEN [8th FEB 11]: Homework.


Students read, discussed, and watched Act 3 Scene 3 of Shakespeare's Othello. This is the most important scene in the play and the focus of the session was how Iago 'poisons' Othello and why this section of the play is so dramatically powerful.

Homework: Read, listen, or watch any decent version of the play.Next week we will be discussing Act 5 and concluding our reading of this wonderful play.

This concluding section of Act 3 Scene 3 involves Anthony Hopkins and Bob Hoskins [1981]:
http://www.youtube.com/watch?v=0pT_NAJZ9so

Click on link below to access a version of the play with Ian McKellen as Iago and Willard White as Othello. This is the final section of Act 3 Scene3. The 'kneeling' moment is particularly bloody wonderful.
http://www.youtube.com/watch?v=sKMskTzD5Q4&playnext=1&list=PLE761C04CC16E550B

Anthony Hopkins and the Othello seizure! Note Iago's triumphal jumping as Othello falls to the ground:
http://www.youtube.com/watch?v=FnjPTBpsEnY&feature=related

Othello publically slaps Desdemona in Act 4. Do you rate Hopkins as Othello?:
http://www.youtube.com/watch?v=sVknfdGRS5I&NR=1

The film version of the slap scene in Act 4:
http://www.youtube.com/watch?v=wHVnLyP9ZVE&feature=related

The Oliver Parker film version of Act 3 Scene3:
http://www.youtube.com/watch?v=UrIc3eINXT4&feature=related

More resources to follow.......

Monday 7 February 2011

YEAR 13 LESSON EIGHTEEN [7th FEB 11]: Homework.













Students continued on the Faustus superhighway and we read, discussed and watched the final section of the play.

Homework: Read the play as next week we will be discussing the themes being explored by Marlowe, why he was exploring these themes and the symbolic significance of Faustus, Mephistophilis and the Old Man. Furthermore, students need to consider to what extent this play can be considered a gothic text.

Students need to meet me, as arranged, to discuss their coursework.

The deadline for the coursework is the first lesson after the half-term holiday.

YEAR 12 LESSON EIGHTEEN [1st FEB 11]: Homework.


Students discussed the question: 'TROTAM is simply a tale of crime and punishment.' How do you respond to this view?

Students read, watched and discussed Act Two of Othello.




Homework: Complete the Coleridge essay. I am expecting at least three paragraphs of detailed literary wisdom.We discussed the interpretation of the poem as a Christian fable, a celebration of the human imagination at a time in history when scientific discoveries/the industrial revolution could be perceived as inhibiting the human imagination, a celebration of the majesty of the natural world and a particularly imaginative and original ghost story.

Furthermore, students need to read Act 3 Scene 3 of Othello.

YEAR 13 LESSON SEVENTEEN [31st JAN 11]: Homework.








Students continued the Faustus journey and moved to the cusp of Scene 10.

Homework: Be aware of how Faustus describes how he will use his power when he becomes a 'mighty God' and the reality of his actions after selling his soul. Furthermore, be aware of how Marlowe presents Mephistophilis in Scene 3 and Scene 5 and how Hell is represented by Mephistophilis in these scenes. Author's aim?

Download the audio file from i-tunes.

YEAR 12 LESSON SEVENTEEN [25th JAN 11]: Homework.


Students considered the symbolic significance of the Albatross in TROTAM and the Archdeacon of Nonsense read through the poem from the beginning of section four to the conclusion of this epic tale. Students were asked to consider whether the conclusion of the poem is an anti-climax and the role of the wedding guest. Students discussed the nature of the line 'A sadder and a wiser man' and the idea that the poem is a Christian Fable/Christian allegory.

Students also discussed the nature of characterisation in Othello.



Homework: Keep reading. Download the PlayShakespeare audio file and listen to Othello.