Monday, 4 March 2013

YEAR 12 LESSON TWENTY-ONE [28th Feb 13]: Homework.

























This session involved students receiving a verbal assault from an irritated teacher who was perturbed by the poor quality of a recent batch of Gatsby essays. Students were directed towards the mark scheme and made aware of why CHIMPNIMSKY was a tad disappointed. Exemplar material was provided in the hope that the class develop complete awareness of the intellectual expectation and assessment demands of the 'even numbered' Section A exam question.
The heart of the lesson was a reading of ACT THREE of Jez Butterworth's JERUSALEM. The class were then pushed towards a consideration of the following questions:
  • How does the content of Blake's poem relate to the content of the play?
  • What is the aim of Butterworth?
  • What are the themes and issues being explored by Butterworth in this play?
  • How is the adult world represented in this play? Why?
  • In what sense can this play be considered a comedy?
Then we all went home to our own versions of England.

HOMEWORK: Read the coursework essay titles as next week we will be exploring issues relating to the play and trying to create some awareness of the content required to construct a decent piece of coursework. This will be a BIG lesson. Bring some wisdom. READ THE PLAY.
Students also need to provide a two paragraph and conclusion response to the Gatsby essay that so disappointed your teacher!! REMEMBER, THESE ESSAYS MUST:
  • Offer an argument that is supported with precise textual reference.
  • Provide evidence that a feature of the text may be interpreted differently by different readers. For example the symbolic meaning attached to the characters of Gatsby or Daisy.
  • Provide evidence of how historical context may shape meaning.
  • Provide clear question focus.

I will accept two paragraphs and a conclusion if the argument is detailed and all assessment objectives are being addressed. Three paragraphs and a conclusion may provide a more meaningful revision resource. The choice is your own!! In the exam students will only have 30 minutes to answer this question so two paragraphs and a coherent conclusion may still be enough to access the top grades. Refer to the exemplar material as this will provide a clear understanding of how this task should be approached.Only two students are exempt from this repeat task.




















Good Luck.

YEAR 13 LESSON TWENTY-TWO [27th Feb 13]: Homework




















Students were asked to consider the nature of the gothic. The central feature of A2 Literature is a consideration of the gothic literary tradition therefore it is essential that all students develop an understanding of the gothic codes and conventions that can be applied to our texts.
The task that was offered to the students was a challenge!! Students were asked to use Garageband musical software to compose a three minute soundtrack for a BBC Radio 4 trailer that aims to advertise a forthcoming documentary feature that will explore the nature of gothic literature. Having composed the gothic soundtrack, students were asked to consider the content of a voiceover to accompany the soundtrack that could provide BBC Radio 4's audience with an insight into the nature of the content that will be discussed in this gothic documentary.
Students will eventually have to explain to their classmates why they believe that their soundtrack reflects the nature of the gothic literary tradition and why the content of their voiceover is appropriate.

HOMEWORK: Construct an engaging gothic voiceover to accompany the musical composition created in this session. When we meet next Wednesday students will be expected to compare and contrast the content of their individual gothic voiceover so that the 'group' can merge the best ideas to record a dynamic voiceover!! That's the plan!

Tuesday, 26 February 2013

YEAR 12 LESSON TWENTY [21st Feb 13]: Homework.

























The whole focus of this session was Act Two of Jez Butterworth's JERUSALEM. Class discussion involved a consideration of:

  • The significance of the imagery and poetry offered by the speeches of Johnny Byron. What does the language used by Byron tell us about the nature of his character?
  • The significance of the moment with Dawn and Marky.
  • The significance of the moment involving Troy Whitworth.
  • The significance of the silence used in Act Two.
  • The comedic nature of this Act.
  • The serious nature of Act.
Students received the coursework titles.

HOMEWORK: Read the final Act of the play and consider which title you will be attempting for coursework. Students should bring their copy of TROTAM to the next session. We will be discussing Coleridge's poem in the next session.

Link to Jerusalem resources on BE CURIOUS:
http://becuriouslit.blogspot.co.uk/2013/01/jerusalem-resources.html  

YEAR 13 LESSON TWENTY-ONE [20th Feb 13]: Homework.

Students were asked to consider the relevance of the scene with the OLD MAN. Class discussion considered the symbolic importance of this moment within the play and how THE OLD MAN, HELEN of TROY, and the poetry of Faustus when kissing the demon, allow Marlowe to shape meaning. Class discussion was good.
The final section of the lesson was a timed response to the question:
Why is this scene significant?

HOMEWORK: Read the final soliloquy in Faustus and the final third of Shelley's Frankenstein. This will inform class discussion next week.

Saturday, 9 February 2013

Friday, 8 February 2013

YEAR 12 LESSON NINETEEN [7th Feb 13]: Homework.


























Students continued to read and discuss Jez Butterworth's JERUSALEM. Class discussion was honest, relevant and intelligent. I salute you all. I thought the quality of student opinion and critical commentary was outstanding. If we can translate this level of engagement into the written coursework, your essays will be a treat to read. I was particularly impressed with some of the comparisons with THE GREAT GATSBY.

Students were encouraged to consider the thematic nature of the First Act and how Butterworth is using the character of Johnny BYRON. Is Rooster a saint or a dragon? The reading was superb. Well done.
The main feature that evolved from discussion was how SERIOUS this play is yet it is a dramatic COMEDY. What is the function of the comedy? How is comedy used by Butterworth? What are the key ideas being explored through Johnny Byron?

The last section of the session was a consideration of the title:
'GATSBY IS A NOVEL TRAPPED IN TIME WITH LITTLE RELEVANCE FOR THE TWENTY-FIRST CENTURY READER.' TO WHAT EXTENT DO YOU AGREE WITH THIS STATEMENT?
Class discussion shaped potential content. Here is a potential essay structure that may allow students to construct a coherent and detailed response.

  • The first paragraph could deal with ECONOMIC INEQUALITY and how this is still an issue in Twenty-First Century America and is also a global concern. Reference could be made to the fact that Fitzgerald's aim appears to be to encourage America to create a more equal society. Reference could be made to the description of the VALLEY OF ASHES and the representation of the opulent nature of GATSBY'S PARTIES. Reference could be made to Obama's recent inauguration speech that expressed the view that America should offer equality for ALL AMERICANS as this is the central philosophy of the Declaration of Independence.
  • The second paragraph could link to the idea of the American Dream and how in the novel the Dream appears to be an illusion as George Wilson and the people in THE VALLEY OF ASHES work hard but do not receive any emotional or financial reward. Fitzgerald explores this idea through the character of GATSBY and suggests that this new technological America needs a new dream. Gatsby is trapped in a moment from the past that eventually leads to his death. This idea could be linked to America needing a new dream for the digital age as the country is currently being ravaged by unemployment. The idea that people need to believe in a dream is a universal concern and is not trapped in the world of the novel. 
  • The third paragraph could deal with the idea that Fitzgerald's novel appears to be an appeal for EMPATHY. He wants the rich to be aware of the poor; he wants Americans to care about their fellow Americans, not just rich Americans. TOM is a character who seems to be devoid of any compassion, humility, tenderness, or emotional sensitivity. This novel seems to demand that people care for each other and respect the people that share their world. Perhaps the most shocking feature of Tom's character is that Fitzgerald never offers a Tom that learns from his ignorance. Fitzgerald never offers any moral justice to this character which possibly makes the symbolic nature of Tom's character even more powerful. He is constructed by Fitzgerald to be the villain of the novel and possibly serves as a symbol of what America has become. The critic Lionel Trilling stated that 'GATSBY IS AMERICA' but perhaps Fitzgerald is angry that Tom seems more like America in the 1920s. A cruel and selfish country that lacks any moral purpose.  EMPATHY is a human quality that is required in any period of history as without the ability to understand other people and their personal circumstance, the world would be a cruel place. A novel that offers the view that need people to understand and respect each other is surely timeless. Tom lacks empathy and is a cruel and grotesque character.  A world without empathy would be a cruel and grotesque world. 
  • Students could consider the role of Daisy and how she serves to show how 'p..p..paraslysed' women could be in 1920s America. She could serve to motivate 21st Century women to strive for and appreciate their own emotional, social, educational and financial independence. This interpretation depends upon the reader viewing Daisy as the victim of a male world that does not value women as anything other than ornaments and sex slaves!! This reading suggests the novel could be viewed as a historical document that captures a moment in time when women lacked any form of power. Modern women could be motivated to avoid being a 21st Century Daisy!! 
  • Another paragraph could consider the character of Gatsby and how he could be considered inspirational to any immigrant group in America. He was James Gatz and his surname suggests his family were originally from Europe. Gatsby's determination to succeed and his ability to become financially powerful may inspire some readers to view Gatsby as a role model but other readers may interpret the fact that Gatsby could only receive financial rewards by breaking the law as symbolic of how difficult it is for immigrants to access the American Dream and gain acceptance by white America. Gatsby even has to change his immigrant identity and create a fictional Gatsby in an attempt to secure his dream. Gatsby's struggle as an immigrant may itself serve to inspire readers from a similar immigrant or ethnic background to be successful, retain their own identity, be successful within the boundaries of the law and not be like Gatsby. It may be possible to view this novel as an attack against racism as Gatsby needs to hide his familial and geographic origins in order to be accepted by the rich white Americans that attend his parties. This ability to interpret the ambiguity of Gatsby's character will allow access to the higher grades.
  • It is possible to view this text as a novel about a man recovering from the trauma of WAR. Nick Carraway seems to develop his confidence as he is inspired by Gatsby's impossible idealism. The idea that a soldier can be emotionally repaired after feeling as if he was 'on the ragged edge of the Universe' may be a universal and inspiring message for a twenty-first century audience. Perhaps this novel can be an inspiration for any individual recovering from any form of trauma. This is quite a subtle argument but, don't forget, this is a novel about the narrator, Nick Carraway.
  • The conclusion needs to directly answer the question without repeating any comments made previously in the essay. The conclusion needs to be brief and succinct. Perhaps a conclusion should refer to the fact that this is a didactic text that could be considered a fable, not just in the twentieth century but also in the twenty-first century.
There are many ways to approach this essay. This structure will help if students are struggling for ideas. 

THE ESSAY NEEDS TO BE THREE PARAGRAPHS AND A CONCLUSION. IF YOU ARE FEELING KEEN AND VIEW THIS ESSAY AS A DECENT CHANCE TO CONSTRUCT A REVISION RESOURCE...STUDENTS COULD CONSTRUCT FOUR PARAGRAPHS AND A CONCLUSION.
This essay needs to consider the broader context of the novel so needs to consider the historical context of America then and now. Students could refer to the poem by EMMA LAZARUS that is inscribed inside the Statue Of Liberty, or refer to the poetry of Walt Whitman, or refer to the lyrics of The Star Spangled Banner. You should still have these resources. YOU DO NOT HAVE TO REFER TO THESE RESOURCES BUT IT MIGHT HELP YOU TO OFFER A CONTEXTUAL ARGUMENT. The essay also needs to show an awareness that it is possible to interpret the same moments in the novel in a different manner. The character of Gatsby is perfect for exploring the ambiguity of the novel and how the ideas being explored by Fitzgerald through Gatsby's character can be interpreted in two or even three different ways by the reader.

THIS IS A VERY IMPORTANT ESSAY. GOOD LUCK.

HOMEWORK: Complete the Gatsby essay. Continue to read THE GREAT GATSBY, THE RIME OF THE ANCIENT MARINER, and JERUSALEM. This is a big week for your reading. You can not offer an informed argument if you are not familiar with the text. GET READING.

YOU LOT HAVE BEEN WONDERFUL THIS TERM. KEEP IT UP.

YEAR13 LESSON TWENTY [6th Feb 13]: Homework.

This session was a series of coursework tutorials.

HOMEWORK: Students need to be completing their final drafts. I expect essays to be e-mailed to me over the half-term so I can have a marked version to offer you when next our worlds collide...which is the 20th Feb! This half-term should be a READING FEAST as when we return we will be comparing and discussing Frankenstein and Faustus. Your reading is crucial as this will enable you to offer informed and relevant comment when constructing a critical argument. Students also need to be aware of the different interpretations that surround the text, particularly interpretations related to the gothic literary tradition. Students must be able to consider both texts within the context of the gothic. I intend to post some podcasts during the half-term break so keep visiting the blog.

Toodle Pip.